The Fantasy Author's Secret Tool
By Jason Koop
What are the tools any writer – particularly one of fantasy – requires? Talent, some are more apt and able than others; communication skills, nothing kills a story’s potential than it being communicated poorly; grit and determination to see a project through to completion; and curiosity. And not just any curiosity, but a particularly nerdy type.
Now, we will explore that last one, but first, some clarification. As someone who has dabbled in writing fantasy almost since I could write, I have come to realize in the past few years that I have built up some assumptions that I now realize are a big “wrongzo” to quote my favourite YouTuber Arlo. Primarily, I assumed that the best thing for a fantasy writer to do to help inspire them was to intake fantasy. It makes sense, right? Fantasy goes in, fantasy goes out.
One thing about being married to someone who not only writes fantasy, but has gotten multiple books published (7 as of this blog posting), is that I have had my eyes opened to the realities of getting a quality fantasy story written, and the tools necessary to accomplish this.
Yes, she has the talent, grit and drive, and has come a long way in her communication skills. But more notably for me, most of her published novels have come from a nerdiness that predated the published work.
While we have stated on the podcast that Kenneth Oppel’s novel Silverwing did inspire Karlissa’s Kingdom of Bats, it was her love for – and knowledge of – bats that was the real driving force. It’s evident in that there are multiple species of bat represented, and they aren’t readily defined as “good bat species” and “bad bat species”.
Dwelling in Darkness is heavily inspired by both animals of the night, the Popol Vuh (a Mayan religious text), and Malagasy mythology. There are multiple reference books around the house about the age of sailing and weaponry of that time frame that Karlissa delved into well before writing the Tales of the Diversity trilogy. Davy Jones’ Aquarium was primarily inspired by her interest and knowledge of creatures that live in the dark depths of our oceans… and aquariums, of course.
There are examples of this in other fantasy writers. Madeline L’Engle had a love for science, which one can definitely pick up in her Wrinkle in Time series. J.R.R. Tolkien had a deep affinity for Norse mythology. C.S. Lewis was a Medieval and Renaissance scholar.
Timothy Zahn, whom has written some of my favourite Star Wars novels, has a doctorate in physics, which definitely is evident in things like space battles; he can elevate these conflicts beyond a simple shoot and explode scene.
One advantage of being at the very least curious or knowledgeable in any area is that the writer can then use this to provide greater detail and “colour” for the reader’s imagination. If Karlissa’s knowledge of creatures that live in the dark ocean depths were contained in a Google search, then Davy Jones’ life in the Abyss would undoubtedly come across as a lot more boring, with not much to differentiate it from our own.
Fantasy is a wonderfully malleable genre. And some of the best examples of fantasy come from taking a dash or two from this wonderful world God created and letting that influence what happens in our fantasies.
As much as writers of fantasy are encouraged to let their imagination go wild with the possibilities, I think we should also praise their own unique flairs that they bring to the table. If a writer’s work is clearly painted by their love of animals or the way physics would interact with something fictional in space, I think it all adds depth to the fantasy experience.